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Dialectic Experiments by Michael Andritsopoulos

by Matthew Dakoutros

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Ars Poetica By Paul Verlaine Translated by Norman R. Shapiro for Charles Morice Music first and foremost! In your verse, Choose those meters odd of syllable, Supple in the air, vague, flexible, Free of pounding beat, heavy or terse.   Choose the words you use—now right, now wrong— With abandon: when the poet’s vision Couples the Precise with Imprecision, Best the giddy shadows of his song:   Eyes veiled, hidden, dark with mystery, Sunshine trembling in the noonday glare, Starlight, in the tepid autumn air, Shimmering in night-blue filigree!   For Nuance, not Color absolute, Is your goal; subtle and shaded hue! Nuance! It alone is what lets you Marry dream to dream, and horn to flute!   Shun all cruel and ruthless Railleries; Hurtful Quip, lewd Laughter, that appall Heaven, Azure-eyed, to tears; and all Garlic-stench scullery recipes!   Take vain Eloquence and wring its neck! Best you keep your Rhyme sober and sound, Lest it wander, reinless and unbound— How far? Who can say?—if not in check!   Rhyme! Who will its infamies revile? What deaf child, what Black of little wit Forged with worthless bauble, fashioned it False and hollow-sounding to the file?   Music first and foremost, and forever! Let your verse be what goes soaring, sighing, Set free, fleeing from the soul gone flying Off to other skies and loves, wherever.   Let your verse be aimless chance, delighting In good-omened fortune, sprinkled over Dawn’s wind, bristling scents of mint, thyme, clover . . . All the rest is nothing more than writing.
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All the World's A Stage by William Shakespeare from the pastoral comedy "As You Like It" And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
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Based on "General Music Theory" book research, Michael Andritsopoulos found that speech has a genetic relation with music and there are several musical axes that define meaning in verbal expression. These axes connect with 7 columns of musical entities and these are the ones that he experiments with in order to produce the emotions and the meaning contained in the musical figures and the harmony of the composition. He made a series of works trying to use these new foundings in an experimental/contemporary way in order to explore the rhetoric possibilities that this tool provides, in several musical environments

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released July 11, 2021

Violin, Viola and Cello by Matthew Dakoutros
All music composed by Michael Andritsopoulos

Cover art by Michael Andritsopoulos
Layout by Hasmody
Mixed by Matthew Dakoutros with Michael Andritsopoulos
Mastered by Matthew Dakoutros

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Matthew Dakoutros Athens, Greece

Matthew Dakoutros is a violin tutor, performer and composer from Greece. He has worked in several music institutes for more than 10 years, most notably in the National Conservatory as a violin and chamber music teacher, as well as director of the student orchestra. His music has been used in indie films and documentaries, and he has performed as a solo artist or part of large or small ensembles ... more

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